Endless talent, humor(!), peerless voice

It does not happen very often that one can hear a forty year old classic in a new cover version, and it is as if you hear that song all new and all over again. Especially, I had always thought that Chavela Vargas' version of Paloma Negra would remain the "gold standard", but when I listened to Lila Down's version here, ohh boy was I wrong, and ohh boy was I blown away! She plays with her talent, she jiggles with her incredible musical possibilities. Where other artists put a lot of effort into a single interpretation, where you see they work hard, Lila Downs seems just like a child that opens a big box of candies and asks: "What type of magic do I feel like doing next?"

A Superb Sound, Filled With Passion And Soul!

I first heard Lila Downs' sultry, smokey voice in the film "Frida." The movie's entire soundtrack is extraordinary, and I still listen to the CD frequently. Fortunately Ms. Downs has come out with four albums since then, because I love the passion and soul she puts into her music. "Una Sangre" is her latest offering. And it is an eclectic, outstanding mix, based on her multicultural artistic vision!

Another great offering

On this Lila Downs fourth or fifth CD if you count the rerelease (with additional tracks)of "Sandunga" finds her even deeper and more comfortable in her binational soul. Revealing her bicultural identity by the light of the moon , much like a leopard in a starless night jungle, her vocals pounce on your soul, invading and capturing your innermost feelings. There is a certain maturity to her latest work that reveals an accomplished artist, one who has travelled the globe and still comes back to her roots. There are no less than five traditional songs that have been given the Lila Downs treatment to retain their folkloric roots but with an edge, the Lila Downs edge. Even the songs that are originals have that feeling of traditional folkloric music because of fine production and musicianship. Although Lila is the star, credit must be given to the tight band that hails from different lands and whose flags make them like a U.N. delegation. Of course, it goes without mentioning that Lila's "amorcito" Paul Cohen does a wonderful job arranging and producing the various melodies for a tight cohesive sound. If you are new to Lila you may feel the disc lacks continuity but this is who Lila is. She is a multitalented artist whose voice is like a contortionist, bending ,dipping and weaving between genres in her unimitable style. To say she is unique is an understatement. Whether she sings in husky tones, soft whispers, lingering, escalating ,suddenly diving operatic high notes or any style Lila chooses , she is fantastic. Listening to her gives me chills today just like the first time I heard her back in 1999 . The haunting melodies stay with you long after the disc stops playing. I've been listening to this disc for about a year now and never seem to get tired of it. I only put it away , off my multi-disc rotation to give others a chance but I always come back to her. She can sing avariety of styles, many are featured here and they are all really good. Obviously she could do just a jazz album, as is evident on her English version of "One Blood" where she sounds like like a sultry, throaty , Latina, Sade. Her talent is boundless. She has been compared to Chavela Vargas but really there is no comparison, there is Lila and then there is Lila. It is her style, her persona, her music that creates the magic. Some of the more traditional songs that have received the Lila treatment are the mystical "Cielo Rojo," "La Cucaracha," La Bamba," and "Paloma Negra" come to new life like antiques recently brought out of the cabinet to be proudly displayed at the table. Although I like very much the traditonal songs featured on this disc I am also drawn to "Dignificada" which has a slight reggae back beat, "Malinche" which explores the Mexican godmother cursed by some but that belongs to all of us who have Mexican heritage, the bluesy , rootsy sung in English "Mother Jones," the call to musical arms Paul Cohen sax introduction on the Arabic sounding "Brown Paper People" with it's hip-hop inflected vocals adding further worldly textures and both Spanish and English versions of "One Blood/ Una Sangre" solidify the bilingual/binational nature of this disc. Lila is like a fine glass of wine or aged anejo Tequila that resonates with the various nuances and influences of the earth and climate, creating an experience to be savored and to reflect upon. She is not a person who fits into the flavor of the day pop- variety-disposible-icons that flood the music market today. This is a true artist who reflects what many people only feel and cannot express. This is another in a succesive line of great Lila Downs albums to be experienced. As others have stated, check her out live too. I've seen her three times and her shows are incredible. You need this CD in your collection, your soul will never be the same.